NOTE The review below also appears on my Goodreads page, where you can find full biblioraphic details. You can also view my "reviewed" shelf to see close to 150 reviews of other books across all the genres I read. I have begun copying my reviews to this blog because Goodreads recently made such links as I provide above hard to read and impossible to follow without an account. This is inexplicably like a paywall, even though accounts are free.
The upside is that I can add some features to this review -- such as a map -- that are not easy to include on the Goodreads platform itself.
This book had been on my to-read list for a long time, predating my use of Goodreads for such things. A friend who has been my close collaborator in geography outreach and education bugged me to read this almost from the moment it was published. That friend, in fact, spent the final sabbatical of his career in the general neighborhood of this book, presumably because Winchester had conveyed so much about the region's physical and human geography through his telling of this one very local and short-term event with global and long-term consequences.
I finally turned to it -- in the audio version read by the author -- when I had just finished another book and was reminded of this one through a mistaken (on my part) connection. The false connection was the 1816 "year without a winter" that author Brinda Charry used as the setting of her Boston novel Hocus Pocus. When she described this during a talk at the Boston Book Festival, my mind went to Krakatoa. I soon realized my mistake -- the major major eruption of Krakatoa was not to take place for many further decades. But it brought the book back to mind at an auspicious time, and I was rewarded with Winchester's discussion of that 1816 event in the later chapters of this work. It was an 1815 eruption of Tambora that led the the gloom of the following year, creating the setting for Charry's new novel and also likely creating the gloom seems to have put Mary Shelley in the requisite mood to write her Frankenstein (the The Modern Prometheus).
Winchester describies one of the pivotal natural disasters of human history in the sweeping sort of narrative that the event deserves and for which this journalist (and honorary geographer) is well suited. No disaster is "natural" of course; both the causes and the effects of events we describe with that phrase arise from some combination of human and physical geography.
Winchester deftly moves the reader back and forward in time -- sometimes by minutes and seconds and sometimes by decades and eons -- to understand what occurred on August 27, 1883 and why it still matters. With deft geographic skill, he zooms in and out, from the scale of the tiny volcano itself to the archipelago of which it was the center, to the planet as a whole and indeed the solar system. He not only empploys the sciences of biology, geology, meteorology, cartography, and ecology; he also explains how developments in each improved our understanding of Krakatoa or were improved by it. The stories of finance, colonial governance, religion, and even journalism itself -- especially journalism -- are both causes and effects in this telling of the tale.
Some authors who write very well make a mistake when they produce their own audiobooks. There are people who are exceptionally good at reading aloud, and it is often best to let them do it. Simon Winchester is not such an author. He is as gifted a speaker as he is a writer, and listening to his words in his voice -- with his cadence, lilt, and occasional humor -- is a delight. Moreover -- and as I knew from the other books of his that I have read so far -- he is a an incurable meander, an irrepressible follower of tangents. But he chooses his digressions carefully and pursues them artfully, so that what emerges is a short course on the world as a whole.
I share the tendency to tangents and rabbit holes in my own teaching, though with much less cogent effect. Late in the book -- and this is not a spoiler because I won't describe it in detail -- Winchester is a scholar who cannot resist the appeal of a ride in a boat with a local expert. Only when he is on such a maritime day trip does the author appear directly in this tale.
Bonus: as eclectic and exhaustive as Simon's Winchester's research for this book was, he somehow failed to mention the 1979 song "Lava" by the legendary New Wave band The B-52s. This recording appears to be from relatively early days of the band's work -- not the show I saw with my bride in New Bedford in 2017.











